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Organize your audio/video cables, computer cables and more with these high quality ties that are easy to use & reuse with their self-attaching design. Multiple colors (red, green, black, yellow, blue, and gray) let you color-code your connections.

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The WaveRest™ Gel Mouse Pad offers ergo support for your wrists with its patented Wave design. The gel cushion creates a GelFlex™ Comfort Zone that contours to your wrist's natural curves and movements and helps reduce hand and wrist stress

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The ideal replacement for your telephone's handset cable. This extended length coiled cable grants you more line while working in the office or at home, and the PVC Cable Jacket retains "spring" despite repeated pulling or stretching. Available in Black.

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The ideal replacement for your telephone's handset cable. This extended length coiled cable grants you more line while working in the office or at home, and the PVC Cable Jacket retains "spring" despite repeated pulling or stretching. Available in Black.

The ideal replacement for your telephone's handset cable. This extended length coiled cable grants you more line while working in the office or at home, and the PVC Cable Jacket retains "spring" despite repeated pulling or stretching. Available in Black.

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This premium black fast wireless charging pad is designed exclusively for iPhone models 8 & later including iPhone 11 Pro Max, 11 Pro & 11. Shop now.

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- 100% Cotton Fabric - Pigment Dyed for Vintage Look
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Putting in work is how we evolve. Let 'em know.

- 100% Cotton Fabric - Pigment Dyed for Vintage Look
- Soft, High Quality Material
- Slightly Distressed Collar
- Oversized, "Boyfriend" Style Fit

Putting in work is how we evolve. Let 'em know.

- 100% Cotton Fabric - Pigment Dyed for Vintage Look
- Soft, High Quality Material
- Slightly Distressed Collar
- Oversized, "Boyfriend" Style Fit

Putting in work is how we evolve. Let 'em know.

- 100% Cotton Fabric - Pigment Dyed for Vintage Look
- Soft, High Quality Material
- Slightly Distressed Collar
- Oversized, "Boyfriend" Style Fit

Putting in work is how we evolve. Let 'em know.

- 100% Cotton Fabric - Pigment Dyed for Vintage Look
- Soft, High Quality Material
- Slightly Distressed Collar
- Oversized, "Boyfriend" Style Fit

Putting in work is how we evolve. Let 'em know.

- 100% Cotton Fabric - Pigment Dyed for Vintage Look
- Soft, High Quality Material
- Slightly Distressed Collar
- Oversized, "Boyfriend" Style Fit

Putting in work is how we evolve. Let 'em know.

- 100% Cotton Fabric - Pigment Dyed for Vintage Look
- Soft, High Quality Material
- Slightly Distressed Collar
- Oversized, "Boyfriend" Style Fit

Putting in work is how we evolve. Let 'em know.

- 100% Cotton Fabric - Pigment Dyed for Vintage Look
- Soft, High Quality Material
- Slightly Distressed Collar
- Oversized, "Boyfriend" Style Fit

Putting in work is how we evolve. Let 'em know.

- 100% Cotton Fabric - Pigment Dyed for Vintage Look
- Soft, High Quality Material
- Slightly Distressed Collar
- Oversized, "Boyfriend" Style Fit

black cloth white lettering dust jacket cardboard slip case 211 pp text in French inscribed by th artist on front endpaper Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

black cloth white lettering dust jacket cardboard slip case 211 pp text in French inscribed by th artist on front endpaper Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

Very Good ; Good Jacket. 1968 Little, Brown and Company. SIGNED by author on half title page. Not personalized. First Edition, stated. First printing. No additional printings listed. NOT Remaindered. NOT ex-library. Hardcover has yellow textured paper-covered boards with blue spine and cover lettering. Color and black and white illustrations by Garrett Price. 43 pages. Binding tight. Hinges NOT cracked. Spine ends very lightly bumped. Covers have light surface wear. Pages clean and unmarked. Dust jacket has light surface rubbing, chipped and nicked edges, small to half inch tears, and creases. Dust jacket is price clipped, with the top corner of the front flap cut off with pinking shears, and the bottom corner of the front flap cut off diagonally with straight scissors. Carefully packed, shipped in a box.

Very Good ; Good Jacket. 1968 Little, Brown and Company. SIGNED by author on half title page. Not personalized. First Edition, stated. First printing. No additional printings listed. NOT Remaindered. NOT ex-library. Hardcover has yellow textured paper-covered boards with blue spine and cover lettering. Color and black and white illustrations by Garrett Price. 43 pages. Binding tight. Hinges NOT cracked. Spine ends very lightly bumped. Covers have light surface wear. Pages clean and unmarked. Dust jacket has light surface rubbing, chipped and nicked edges, small to half inch tears, and creases. Dust jacket is price clipped, with the top corner of the front flap cut off with pinking shears, and the bottom corner of the front flap cut off diagonally with straight scissors. Carefully packed, shipped in a box.

8vo. 8"x5.5". Orange cloth with embossed black lettering and decoration. Pictorial dust jacket. Pictorial endpapers. 178 pp. Several chips and small tears along edges of jacket. Inscribed on half title. Two letters laid in. Tight and clean. This is a collected series of reactionary radio addresses delivered by conservative Nebraska politician Fred G. Johnson at the behest of the Hastings Woman's Club. The speeches reiterate Johnson's perceived causes of corruption in young people, mainly the moral bankruptcy of liberal parents. Johnson inscribed this book to Mrs. Evelyn Thomas. Laid inside are a pair of facsimile letters praising this book signed by Cloyd H. Huffard on Chase Bank letterhead and J. Edgar Hoover on FBI letterhead. (To be clear, Johnson's signature is authentic while Hoover's and Huffard's signatures are printed facsimiles). Rear flap features an advertisement for Johnson's upcoming book, a celebration of the artichoke.

8vo. 8"x5.5". Orange cloth with embossed black lettering and decoration. Pictorial dust jacket. Pictorial endpapers. 178 pp. Several chips and small tears along edges of jacket. Inscribed on half title. Two letters laid in. Tight and clean. This is a collected series of reactionary radio addresses delivered by conservative Nebraska politician Fred G. Johnson at the behest of the Hastings Woman's Club. The speeches reiterate Johnson's perceived causes of corruption in young people, mainly the moral bankruptcy of liberal parents. Johnson inscribed this book to Mrs. Evelyn Thomas. Laid inside are a pair of facsimile letters praising this book signed by Cloyd H. Huffard on Chase Bank letterhead and J. Edgar Hoover on FBI letterhead. (To be clear, Johnson's signature is authentic while Hoover's and Huffard's signatures are printed facsimiles). Rear flap features an advertisement for Johnson's upcoming book, a celebration of the artichoke.

Black and white photograph of Pavarotti boldly SIGNED by the famed singer in felt-tip pen. The signed photo was a premium given to some Lyric Opera "Friends" who donated during the 1982 Operathon. Accompanying the photo is a letter from the Operathon Committee explaining that the autographed photo was a substitute for a promised signed Pavarotti album, which was not available because the singer had cancelled his scheduled Chicago performance, as he was wont to do. Also included is the original envelope in which the photo was mailed. All 3 items are in excellent condition. Size: 10" X 8"

- Paris 1888, 18x23cm, relié. - Manuscrit intitulé "La Porcelaine de Chine" orné de nombreux dessins originaux in et hors-texte en noir et en couleurs réalisés à même la page, sur de fins morceaux de papier de Chine contrecollés dans le texte ou sur des planches isolées de papier fort. L'exemplaire est également truffé d'une planche provenant du Costume historique de Racinet (1888) ainsi que d'une page imprimée de ce même texte. Il s'agit d'un recueil factice réalisé d'après plusieurs textes : Octave de Sartel, La Porcelaine de Chine (1881), Stanislas Julien, Histoire et fabrication de la porcelaine chinoise (1856), Maurice Paléologue, L'Art chinois (1887) et Louis Figuier, Les Merveilles de l'industrie (1873). Une dernière partie sur les bronzes chinois provient également de L'Art chinois de Paléologue. Tous les dessins sont réalisés d'après les illustrations des ouvrages sus-mentionnés et très souvent rehaussés à l'aquarelle. L'intégralité du manuscrit a été réalisé à l'encre noire, sur du papier quadrillé, d'une écriture fine et soignée. Reliure de l'époque en demi chagrin marron, dos à cinq nerfs richement orné, encadrement de multiples filets à froid sur les plats de cartonnage, gardes et contreplats de papier peigné, tête dorée sur témoins. Coins émoussés et dos un peu frotté. Une table des matières se trouve à la fin du volume. Rarissime et très importante synthèse manuscrite des connaissances de l'art chinois à la fin du XIXème siècle, minutieusement réalisée et abondamment illustrée par un amateur éclairé. [ENGLISH TRANSLATION FOLLOWS] Manuscript with original drawings and made up of two parts, "Chinese Porcelain" and "Chinese Bronze" Paris 1888 | 18 x 23 cm | contemporary half shagreen Manuscript entitled "Chinese Porcelain", with numerous original drawings in and hors texte, in black and white and color, some full-page on delicate bits of China paper and stuck in to illustrate text or on occasional leaves of thick paper. The text is also enriched with a plate from Racinet's Costume historique (1888), as well as a printed page from the same text. This is a made-up volume from several texts: Octave de Sartel, La Porcelaine de Chine (1881), Stanislas Julien, Histoire et fabrication de la porcelaine chinoise (1856), Maurice Paléologue, L'Art chinois (1887) and Louis Figuier, Les Merveilles de l'industrie (1873). One final part on Chinese bronze comes from Paléologue's L'Art chinois. All the drawings are after the illustrations in the above mentioned works, and are often heightened in watercolors. The entire manuscript is in black ink on squared paper, in a fine and careful hand. Contemporary half brown shagreen over paper boards, richly decorated spine in six compartments, multiple blind-ruled fillets to covers, marbled endpapers and pastedowns, top edge gilt. Corners bumped and a little rubbed. Table of contents at end. A very rare and important manuscript combining studies of Chinese art at the end of the 19th century, carefully executed and plentifully illustrated by a talented amateur.

- Paris 1888, 18x23cm, relié. - Manuscrit intitulé "La Porcelaine de Chine" orné de nombreux dessins originaux in et hors-texte en noir et en couleurs réalisés à même la page, sur de fins morceaux de papier de Chine contrecollés dans le texte ou sur des planches isolées de papier fort. L'exemplaire est également truffé d'une planche provenant du Costume historique de Racinet (1888) ainsi que d'une page imprimée de ce même texte. Il s'agit d'un recueil factice réalisé d'après plusieurs textes : Octave de Sartel, La Porcelaine de Chine (1881), Stanislas Julien, Histoire et fabrication de la porcelaine chinoise (1856), Maurice Paléologue, L'Art chinois (1887) et Louis Figuier, Les Merveilles de l'industrie (1873). Une dernière partie sur les bronzes chinois provient également de L'Art chinois de Paléologue. Tous les dessins sont réalisés d'après les illustrations des ouvrages sus-mentionnés et très souvent rehaussés à l'aquarelle. L'intégralité du manuscrit a été réalisé à l'encre noire, sur du papier quadrillé, d'une écriture fine et soignée. Reliure de l'époque en demi chagrin marron, dos à cinq nerfs richement orné, encadrement de multiples filets à froid sur les plats de cartonnage, gardes et contreplats de papier peigné, tête dorée sur témoins. Coins émoussés et dos un peu frotté. Une table des matières se trouve à la fin du volume. Rarissime et très importante synthèse manuscrite des connaissances de l'art chinois à la fin du XIXème siècle, minutieusement réalisée et abondamment illustrée par un amateur éclairé. [ENGLISH TRANSLATION FOLLOWS] Manuscript with original drawings and made up of two parts, "Chinese Porcelain" and "Chinese Bronze" Paris 1888 | 18 x 23 cm | contemporary half shagreen Manuscript entitled "Chinese Porcelain", with numerous original drawings in and hors texte, in black and white and color, some full-page on delicate bits of China paper and stuck in to illustrate text or on occasional leaves of thick paper. The text is also enriched with a plate from Racinet's Costume historique (1888), as well as a printed page from the same text. This is a made-up volume from several texts: Octave de Sartel, La Porcelaine de Chine (1881), Stanislas Julien, Histoire et fabrication de la porcelaine chinoise (1856), Maurice Paléologue, L'Art chinois (1887) and Louis Figuier, Les Merveilles de l'industrie (1873). One final part on Chinese bronze comes from Paléologue's L'Art chinois. All the drawings are after the illustrations in the above mentioned works, and are often heightened in watercolors. The entire manuscript is in black ink on squared paper, in a fine and careful hand. Contemporary half brown shagreen over paper boards, richly decorated spine in six compartments, multiple blind-ruled fillets to covers, marbled endpapers and pastedowns, top edge gilt. Corners bumped and a little rubbed. Table of contents at end. A very rare and important manuscript combining studies of Chinese art at the end of the 19th century, carefully executed and plentifully illustrated by a talented amateur.

pp: 179. SIGNED FIRST EDITION. Yellow cloth covered boards, with red and black lettering on the spine and front board. A work of non-fiction by Miller that describes army life on military bases. He had written several plays before this book but this is his first published book (Ahearn, Collected Books, 1997). Printed on the cheaper war time paper. This copy has been inscribed on the free endpaper "To----Britton/Arthur Miller/Aug/53". The yellow boards have some darkening in the centre (both front and back) that appears to have been a dye transfer. Although visible the darkening is not serious. The spine ends and corners are bumped and the top edge is soiled. The dust jacket has obvious darkening and soiling. There is about one-quarter inch chipped at the head of the spine, smaller chipping and a couple of short, closed tears on the extremities. Overall, a very good copy of this author's scarce first book, signed by Miller. The images should show these faults. Please inquiry is more photos are required.

pp: 179. SIGNED FIRST EDITION. Yellow cloth covered boards, with red and black lettering on the spine and front board. A work of non-fiction by Miller that describes army life on military bases. He had written several plays before this book but this is his first published book (Ahearn, Collected Books, 1997). Printed on the cheaper war time paper. This copy has been inscribed on the free endpaper "To----Britton/Arthur Miller/Aug/53". The yellow boards have some darkening in the centre (both front and back) that appears to have been a dye transfer. Although visible the darkening is not serious. The spine ends and corners are bumped and the top edge is soiled. The dust jacket has obvious darkening and soiling. There is about one-quarter inch chipped at the head of the spine, smaller chipping and a couple of short, closed tears on the extremities. Overall, a very good copy of this author's scarce first book, signed by Miller. The images should show these faults. Please inquiry is more photos are required.

pp: [ii]i-ii1-91 [2]. Red cloth covered boards with lettering and illustration in black, pictorial endpapers and title piece. Number 6 of 300 copies signed by Burke on the limitation page at the end of the text. A near fine copy without dust jacket, as issued.

pp: [ii]i-ii1-91 [2]. Red cloth covered boards with lettering and illustration in black, pictorial endpapers and title piece. Number 6 of 300 copies signed by Burke on the limitation page at the end of the text. A near fine copy without dust jacket, as issued.

pp: 398. Signed by the Author on the limitation page. Bound in full black leather covered boards, decorated and trimmed in gilt, all edges gilt, raised bands to spine, and ribbon marker. A limited printing of, what has quickly become, a classic of Holocaust literature. This copy has been signed by Keneally on the limitation page. He has also signed the certificate of authenticity that is laid in. The book mark is also laid in. A fine unopened copy.

pp: 398. Signed by the Author on the limitation page. Bound in full black leather covered boards, decorated and trimmed in gilt, all edges gilt, raised bands to spine, and ribbon marker. A limited printing of, what has quickly become, a classic of Holocaust literature. This copy has been signed by Keneally on the limitation page. He has also signed the certificate of authenticity that is laid in. The book mark is also laid in. A fine unopened copy.

Very Good ; Very Good Jacket. 1967 The Macmillan Company. An Arkville Press Book. SIGNED by author on half-title page, with a personal inscription, dated 1967. First Edition. First printing, stated. A volume in the Studies of the Modern Corporation series. NOT ex-library. Hardcover has red and blue cloth-covered boards with gold spine lettering and decorations on a black spine panel. Top page edges are black. Blind-stamped publisher's logo on front cover. 365 pages. Binding tight. Appears to be unread. Hinges NOT cracked. Spine ends lightly bumped. Pages clean and unmarked. Dust jacket designed by George Salter. Jacket has very light edge and surface wear, with light wrinkling at the corners and spine ends and a quarter-inch tear at the bottom of the back panel. Dust jacket spine mildly sunned. Dust jacket is NOT price clipped. Carefully packed, shipped in a box.

Black and white photograph mounted on backing board. Image size: 10 inches by 13 1/8 inches. Mount size: 16 inches by 16 inches. Signed by the photographer on the mount beneath the photograph; photographer's stamp on the verso of the mount. A superb pictorial image by a relatively unknown photographer. The photograph is in very good condition on a soiled mount. Size: 10 inches by 13 1/8 Inches

144 pages. Map endpapers. A book of superb black and white photographs by A. Aubrey Bodine, award-winning photographer for the Baltimore Sun newspaper. The cloth covers have a wraparound photograph of sailboats on the Chesapeake Bay. The book is clean and tight, with some minor foxing on edges of the textblock (but not on the pages). The dust jacket is clean and bright with a hint of edgewear and two closed tears on the top edge (one is 3/4 inch long; the other 3/8 inch). Size: Folio - over 12" - 15" tall