Compare Low lyndhurst traditions brown ivory rug 53 round prices

At Belkin International, we create products that help people realize the power of technology and make people’s lives better, easier and more fulfilling. Belkin products are renowned for their simplicity and ease of use, while our Linksys brand helped make wireless connectivity mainstream around the globe. Our newest brand, WeMo, is the leader in delivering customizable smart home experiences. Its product platform empowers people to monitor, measure and manage their electronics, appliances and lighting at home and on-the-go. The 50 micron RJ45 plug is for round cable, featuring gold plated contacts and comes in a 10 pack.

At Belkin International, we create products that help people realize the power of technology and make people’s lives better, easier and more fulfilling. Belkin products are renowned for their simplicity and ease of use, while our Linksys brand helped make wireless connectivity mainstream around the globe. Our newest brand, WeMo, is the leader in delivering customizable smart home experiences. Its product platform empowers people to monitor, measure and manage their electronics, appliances and lighting at home and on-the-go. The 50 micron RJ45 plug is for round cable, featuring gold plated contacts and comes in a 10 pack.

Unloaded 2-Position Keystone Surface Mount Box, the easiest way to install a network socket. Perfect for office cubicles or installations where the cable is run along a baseboard.

Unloaded 2-Position Keystone Surface Mount Box, the easiest way to install a network socket. Perfect for office cubicles or installations where the cable is run along a baseboard.

GaN technology allows this charger to be 53% smaller than stock 60W chargers, but just as powerful. Features USB-C PD for fast charging. Shop now.

GaN technology allows this charger to be 53% smaller than stock 60W chargers, but just as powerful. Features USB-C PD for fast charging. Shop now.

Very Good ; Good Jacket. 1968 Little, Brown and Company. SIGNED by author on half title page. Not personalized. First Edition, stated. First printing. No additional printings listed. NOT Remaindered. NOT ex-library. Hardcover has yellow textured paper-covered boards with blue spine and cover lettering. Color and black and white illustrations by Garrett Price. 43 pages. Binding tight. Hinges NOT cracked. Spine ends very lightly bumped. Covers have light surface wear. Pages clean and unmarked. Dust jacket has light surface rubbing, chipped and nicked edges, small to half inch tears, and creases. Dust jacket is price clipped, with the top corner of the front flap cut off with pinking shears, and the bottom corner of the front flap cut off diagonally with straight scissors. Carefully packed, shipped in a box.

Very Good ; Good Jacket. 1968 Little, Brown and Company. SIGNED by author on half title page. Not personalized. First Edition, stated. First printing. No additional printings listed. NOT Remaindered. NOT ex-library. Hardcover has yellow textured paper-covered boards with blue spine and cover lettering. Color and black and white illustrations by Garrett Price. 43 pages. Binding tight. Hinges NOT cracked. Spine ends very lightly bumped. Covers have light surface wear. Pages clean and unmarked. Dust jacket has light surface rubbing, chipped and nicked edges, small to half inch tears, and creases. Dust jacket is price clipped, with the top corner of the front flap cut off with pinking shears, and the bottom corner of the front flap cut off diagonally with straight scissors. Carefully packed, shipped in a box.

brown cloth, gilt lettering, dust jacket unclipped, 286 pp, first edition, inscribed by author on front endpaper, dj chips and tears on edges Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

brown cloth, gilt lettering, dust jacket unclipped, 286 pp, first edition, inscribed by author on front endpaper, dj chips and tears on edges Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

- Paris 1888, 18x23cm, relié. - Manuscrit intitulé "La Porcelaine de Chine" orné de nombreux dessins originaux in et hors-texte en noir et en couleurs réalisés à même la page, sur de fins morceaux de papier de Chine contrecollés dans le texte ou sur des planches isolées de papier fort. L'exemplaire est également truffé d'une planche provenant du Costume historique de Racinet (1888) ainsi que d'une page imprimée de ce même texte. Il s'agit d'un recueil factice réalisé d'après plusieurs textes : Octave de Sartel, La Porcelaine de Chine (1881), Stanislas Julien, Histoire et fabrication de la porcelaine chinoise (1856), Maurice Paléologue, L'Art chinois (1887) et Louis Figuier, Les Merveilles de l'industrie (1873). Une dernière partie sur les bronzes chinois provient également de L'Art chinois de Paléologue. Tous les dessins sont réalisés d'après les illustrations des ouvrages sus-mentionnés et très souvent rehaussés à l'aquarelle. L'intégralité du manuscrit a été réalisé à l'encre noire, sur du papier quadrillé, d'une écriture fine et soignée. Reliure de l'époque en demi chagrin marron, dos à cinq nerfs richement orné, encadrement de multiples filets à froid sur les plats de cartonnage, gardes et contreplats de papier peigné, tête dorée sur témoins. Coins émoussés et dos un peu frotté. Une table des matières se trouve à la fin du volume. Rarissime et très importante synthèse manuscrite des connaissances de l'art chinois à la fin du XIXème siècle, minutieusement réalisée et abondamment illustrée par un amateur éclairé. [ENGLISH TRANSLATION FOLLOWS] Manuscript with original drawings and made up of two parts, "Chinese Porcelain" and "Chinese Bronze" Paris 1888 | 18 x 23 cm | contemporary half shagreen Manuscript entitled "Chinese Porcelain", with numerous original drawings in and hors texte, in black and white and color, some full-page on delicate bits of China paper and stuck in to illustrate text or on occasional leaves of thick paper. The text is also enriched with a plate from Racinet's Costume historique (1888), as well as a printed page from the same text. This is a made-up volume from several texts: Octave de Sartel, La Porcelaine de Chine (1881), Stanislas Julien, Histoire et fabrication de la porcelaine chinoise (1856), Maurice Paléologue, L'Art chinois (1887) and Louis Figuier, Les Merveilles de l'industrie (1873). One final part on Chinese bronze comes from Paléologue's L'Art chinois. All the drawings are after the illustrations in the above mentioned works, and are often heightened in watercolors. The entire manuscript is in black ink on squared paper, in a fine and careful hand. Contemporary half brown shagreen over paper boards, richly decorated spine in six compartments, multiple blind-ruled fillets to covers, marbled endpapers and pastedowns, top edge gilt. Corners bumped and a little rubbed. Table of contents at end. A very rare and important manuscript combining studies of Chinese art at the end of the 19th century, carefully executed and plentifully illustrated by a talented amateur.

- Paris 1888, 18x23cm, relié. - Manuscrit intitulé "La Porcelaine de Chine" orné de nombreux dessins originaux in et hors-texte en noir et en couleurs réalisés à même la page, sur de fins morceaux de papier de Chine contrecollés dans le texte ou sur des planches isolées de papier fort. L'exemplaire est également truffé d'une planche provenant du Costume historique de Racinet (1888) ainsi que d'une page imprimée de ce même texte. Il s'agit d'un recueil factice réalisé d'après plusieurs textes : Octave de Sartel, La Porcelaine de Chine (1881), Stanislas Julien, Histoire et fabrication de la porcelaine chinoise (1856), Maurice Paléologue, L'Art chinois (1887) et Louis Figuier, Les Merveilles de l'industrie (1873). Une dernière partie sur les bronzes chinois provient également de L'Art chinois de Paléologue. Tous les dessins sont réalisés d'après les illustrations des ouvrages sus-mentionnés et très souvent rehaussés à l'aquarelle. L'intégralité du manuscrit a été réalisé à l'encre noire, sur du papier quadrillé, d'une écriture fine et soignée. Reliure de l'époque en demi chagrin marron, dos à cinq nerfs richement orné, encadrement de multiples filets à froid sur les plats de cartonnage, gardes et contreplats de papier peigné, tête dorée sur témoins. Coins émoussés et dos un peu frotté. Une table des matières se trouve à la fin du volume. Rarissime et très importante synthèse manuscrite des connaissances de l'art chinois à la fin du XIXème siècle, minutieusement réalisée et abondamment illustrée par un amateur éclairé. [ENGLISH TRANSLATION FOLLOWS] Manuscript with original drawings and made up of two parts, "Chinese Porcelain" and "Chinese Bronze" Paris 1888 | 18 x 23 cm | contemporary half shagreen Manuscript entitled "Chinese Porcelain", with numerous original drawings in and hors texte, in black and white and color, some full-page on delicate bits of China paper and stuck in to illustrate text or on occasional leaves of thick paper. The text is also enriched with a plate from Racinet's Costume historique (1888), as well as a printed page from the same text. This is a made-up volume from several texts: Octave de Sartel, La Porcelaine de Chine (1881), Stanislas Julien, Histoire et fabrication de la porcelaine chinoise (1856), Maurice Paléologue, L'Art chinois (1887) and Louis Figuier, Les Merveilles de l'industrie (1873). One final part on Chinese bronze comes from Paléologue's L'Art chinois. All the drawings are after the illustrations in the above mentioned works, and are often heightened in watercolors. The entire manuscript is in black ink on squared paper, in a fine and careful hand. Contemporary half brown shagreen over paper boards, richly decorated spine in six compartments, multiple blind-ruled fillets to covers, marbled endpapers and pastedowns, top edge gilt. Corners bumped and a little rubbed. Table of contents at end. A very rare and important manuscript combining studies of Chinese art at the end of the 19th century, carefully executed and plentifully illustrated by a talented amateur.

pp: 179. SIGNED FIRST EDITION. Yellow cloth covered boards, with red and black lettering on the spine and front board. A work of non-fiction by Miller that describes army life on military bases. He had written several plays before this book but this is his first published book (Ahearn, Collected Books, 1997). Printed on the cheaper war time paper. This copy has been inscribed on the free endpaper "To----Britton/Arthur Miller/Aug/53". The yellow boards have some darkening in the centre (both front and back) that appears to have been a dye transfer. Although visible the darkening is not serious. The spine ends and corners are bumped and the top edge is soiled. The dust jacket has obvious darkening and soiling. There is about one-quarter inch chipped at the head of the spine, smaller chipping and a couple of short, closed tears on the extremities. Overall, a very good copy of this author's scarce first book, signed by Miller. The images should show these faults. Please inquiry is more photos are required.

pp: 179. SIGNED FIRST EDITION. Yellow cloth covered boards, with red and black lettering on the spine and front board. A work of non-fiction by Miller that describes army life on military bases. He had written several plays before this book but this is his first published book (Ahearn, Collected Books, 1997). Printed on the cheaper war time paper. This copy has been inscribed on the free endpaper "To----Britton/Arthur Miller/Aug/53". The yellow boards have some darkening in the centre (both front and back) that appears to have been a dye transfer. Although visible the darkening is not serious. The spine ends and corners are bumped and the top edge is soiled. The dust jacket has obvious darkening and soiling. There is about one-quarter inch chipped at the head of the spine, smaller chipping and a couple of short, closed tears on the extremities. Overall, a very good copy of this author's scarce first book, signed by Miller. The images should show these faults. Please inquiry is more photos are required.

pp: [x]1-20 [1]. SIGNED LIMITED EDITION. Brown cloth boards with title piece laid down. A story of the Vietnam War by the author. Copy 90 of 300 signed by O'Brien on the limitation page at the end of the text. The story first appeared in the novel 'The Things They Carried.'

pp: [x]1-20 [1]. SIGNED LIMITED EDITION. Brown cloth boards with title piece laid down. A story of the Vietnam War by the author. Copy 90 of 300 signed by O'Brien on the limitation page at the end of the text. The story first appeared in the novel 'The Things They Carried.'